Matthew Picton “The Age of Kali”

.

EXHIBITION DATES
January 6 to February 26, 2022 

NANCY TOOMEY FINE ART
1275 Minnesota Street, San Francisco

Matthew Picton, After Life, 2020  
Altered and cut photographs UV plexi
44 x 87.5 inches (framed)

Nancy Toomey Fine Art is pleased to announce an exhibition of works by Matthew Picton titled The Age of Kali, on view from January 6 to February 26, 2022. The gallery is located inside San Francisco’s Minnesota Street Project, 1275 Minnesota Street. Gallery hours are Thursdays, Fridays, Saturdays, 12pm to 4pm, and by appointment–please contact nancy@nancytoomeyfineart.com or 415-307-9038.

VIRTUAL TOUR

Matthew Picton, in his exhibition The Age of Kali, has created a stunning body of hand-cut mixed media works filled with vitality, historical context, precision, and depth. Through the collating of images and the collapsing of time, dynamic representations of divinity are placed in the present, synthesizing coincident visuals of apocalyptic longing and salvation. Adding weight and power through scale and imagery, Picton explores the many manifestations of contemporary hybridized images of the past, religion, and culture, one in which the viewer can find their own recognition of the patterns of history.

Matthew Picton, The Ring, 2020
Cut archival printed images gold leaf,
Tru View optimum UV plexi
42.25 x 42.5 inches (framed)

Picton’s highly original visual narrative, in which images of gods and monsters are overlaid with topographical data of the various cities he profiles, paints a historically poignant picture that articulates the shameful brutality of imperialism and the impact of the colonial project on the values and anatomy of the ancient world.

Matthew Picton, New Delhi 1947 #2, 2021
Cut and altered photographs, Yupo paper, archival inks
64 x 64 inches (framed)

English-born Picton, who came to Southern Oregon by way of the San Francisco Bay Area, says his artwork is “inherently political, in that it aims to present in visual form the hidden truths of history.” As such it deals with sites and municipalities where complexity and historical conflict are the order of the day. His art depicts places where the architecture of empire continues to cohabit with the remnants and shadows of the ancient civilizations upon whose ruins such authoritarian dreams are founded.

Matthew Picton, The Four Riders of The Apocalypse, 2019
Archival black paper, photographs, ink, pins
64 x 45 inches (framed)

The works of Picton connect the biblical prophecies described in The Book of Revelations with present day climatological and geopolitical anxieties. His art also alludes to the underlying forces of nature that in some senses predict and shape events. Through a process that cuts and reconstructs the drawings of Durer, imagery is combined and superimposed in each work. Durer’s drawings of religious rhetoric are folded in to the histories of Western and Eastern teachings. Within these excavated traditions, gods, demons, and angels populate our inner landscapes of persecution and salvation. Those symbols of divinity would intersect and be manipulated to combine with the post-Columbian history of power and domination. The art of the 16th century, with its death and mortality obsessions, is re-imagined to reflect our present-day apocalyptic fears that permeate our everyday lives and digital landscapes. Kali is also revered as the goddess of creation and is as much about life as it is death; both Eastern and Western teachings reflect the duality of life.

Matthew Picton, Past, Present, and Future, 2021
Altered archival print, UV plexi
43 x 27 inches (framed)

Kali Yuga in Hinduism is the fourth and last of the four world ages (yugas), each lasting thousands of years. The Age of Kali is believed to be our own cycle of rampant discord. Preceded by Dvapara Yuga and to be followed by Krita Yuga, the arch of the Age of Kali is believed to be completed by 2070, a timeline that loosely parallels Christian history since the birth of Christ, one that has encompassed fantastic beauty and dispiriting savagery.

Matthew Picton, photo by Claire Burbridge

Matthew Picton studied politics and history at the London School of Economics at the end of the 1970s. Picton has been a full time artist since 1996 and has exhibited his work since 1998. He has had numerous solo shows in San Francisco, Los Angeles, London, New York, Portland, and Miami. His work is included in the collections of The De Young Museum, The Portland Art Museum, The Herbert Art Museum, Coventry UK, The Jordan Schnitzer Museum, Eugene, and the Stadt Museum, Dresden. His commissioned artworks are in the collections of Facebook in Seattle, Google in Redwood City, The Chan Zuckerberg Foundation, The Address Hotel in Dubai, among others. He has also been the recipient of the Jurors Grand prize in The Portland Biennial and was awarded a Henry Moore purchase grant. His work has been reviewed in a great many publications, such as Artforum, Art Week, Art News, ARTillery, San Francisco Chronicle, and Los Angeles Times. Matthew Picton lives and works with his wife, fellow British artist, Claire Burbridge in Ashland, Oregon.

The Age of Kali is Matthew Picton’s first solo exhibition at Nancy Toomey Fine Art.