Miya Ando
003 Full Winter Maker Moon (Abenaki & Shoshone) 8 December 2022, 2023
Natural indigo, micronized pure silver, Hahnemühle paper
11 x 8.5 inches
Miya Ando
004 Full Greetings Maker Moon (Abenaki) 6 January 2023, 2023
Natural indigo, micronized pure silver, Hahnemühle paper
11 x 8.5 inches
Miya Ando
005 Full Groundhog Moon (Algonquin) 5 February 2023, 2023
Natural indigo, micronized pure silver, Hahnemühle paper
11 x 8.5 inches
Miya Ando
007 Full Sugar Maker Moon (Abenaki) 6 April 2023, 2023
Natural indigo, micronized pure silver, Hahnemühle paper
11 x 8.5 inches
Miya Ando
009 Full Hoer Moon (Abenaki) 4 June 2023, 2023
Natural indigo, micronized pure silver, Hahnemühle paper
11 x 8.5 inches
Miya Ando
010 Full Grass Cutter Moon (Abenaki) 3 July 2023, 2023
Natural indigo, micronized pure silver, Hahnemühle paper
11 x 8.5 inches
Miya Ando
011 Full Sturgeon Moon (Algonquin) 1 August 2023, 2023
Natural indigo, micronized pure silver, Hahnemühle paper
11 x 8.5 inches
Miya Ando’s artworks are a visual meditation on the cycles of nature and the passage of time; concept, image, and material are inextricably linked. The layered, refractive surfaces of Ando’s sculptures and paintings on metal or wood are a physical articulation of contemplation of the impermanent, temporal nature of their subjects, including seasons, tides, skyscapes, and elements rendered in ink, pigment, micronized silver, gold, mica, or resin. Her frequent choice of multilingual titles for her artworks— a Japanese word and its approximate English translation—reveals the variations in thought and perception between the two cultures that inform her identity and experience; the Japanese literary words naming and describing the varied qualities of the natural world express a philosophy of existence not often present in Western cultures.
The title of this exhibition is inspired by a series of 1,347 daily drawings created during the Covid lockdowns and in the intervening time. These drawings were made with natural indigo dye and micronized pure silver on Washi and Hahnemühle paper and recorded the night sky between March 17, 2020, and September 7, 2022. The project, named Nanayo, was inspired by an esoteric Japanese Buddhist ritual called “Nanayomachi” or “Shichiyamachi,” which translates to “waiting for seven nights,” wherein the faithful await moonrise and offer prayers during the 17th through the 23rd lunar evenings of each month. The moon drawings are presented in ancient Japan and China’s 72 and 24 seasons calendars. Many pieces in this exhibition, including 30 selected moon drawings and across mediums, link directly to Ando’s deep relationship with Bolinas and coastal Northern California environments.
Miya Ando’s work has been the subject of recent solo exhibitions at The Asia Society Museum, Houston; The Noguchi Museum, New York; Savannah College Of Art and Design Museum, Savannah; The Nassau County Museum, Roslyn Harbor; and The American University Museum, Washington DC. Her work has also been included in recent group exhibitions at The Crystal Bridges Museum of American Art, Bentonville; The Los Angeles County Museum of Art; The Haus Der Kunst, Munich; The Bronx Museum; and The Queens Museum of Art, NY. Ando’s work is included in the public collections of LACMA; The Nassau County Museum; The Corning Museum of Glass; The Detroit Institute of Arts; The Luft Museum; Scottsdale Museum of Contemporary Art; The Santa Barbara Museum of Art; The Museum of Art and History; among other public institutions as well as in numerous private collections. Ando has been the recipient of several grants and awards, including the Pollock-Krasner Foundation Grant Award, and has produced numerous public commissions, most notably a thirty-foot-tall sculpture built from World Trade Center steel installed in Olympic Park in London to mark the tenth anniversary of 9/11, for which she was nominated for a DARC Award in Best Light Art Installation. Ando was commissioned to create artwork for the historic Philip Johnson Glass House, New Canaan, CT. The artist holds a bachelor’s degree in East Asian Studies from the University of California, Berkeley, studied East Asian Studies at Yale University and Stanford University, and apprenticed with a Master metalsmith in Japan.
Miya Ando
Unkai (A Sea of Clouds) 7/26/2022 7:17 AM Hour of the Dragon Bolinas, CA, 2022
Ink on aluminum composite
48 x 96 inches
Miya Ando
Unkai (A Sea Of Clouds) 8/1/2021 5:00 AM Hour of the Tiger Bolinas, CA, 2022
Ink on aluminum composite
48 x 96 inches
Miya Ando
Unkai (A Sea of Clouds) 12/30/2021 7:20 PM Bolinas, CA, 2021
Ink on aluminum composite
45.75 inches diameter
Miya Ando
Muzuki (No Moon) December 18, 2020, 2020
Natural indigo, micronized pure silver, Kozo paper
42 x 42 inches (framed in Optium)
Miya Ando
Sui Getsu Water Moon (Mochizuki Full Moon Reflected in Water) December 30, 2020
Natural indigo, micronized pure silver, Kozo paper
42 x 42 inches (framed in Optium)
Miya Ando
January 5, 2021 Matsu Pine Shou Sugi Ban Silver, 2021
Reclaimed, charred pine, silver nitrate
11 x 11 x 11 inches
Miya Ando
January 4, 2021 Matsu Pine Shou Sugi Ban Silver, 2021
Reclaimed charred pine, silver nitrate
11 x 11 x 11 inches
Miya Ando
Alchemy (Shou Sugi Ban) Cube 3.19.8.7, 2019
Charred reclaimed redwood, silver nitrate
12 x 12 x 12 inches
Miya Ando
Kuu (Sky/Void/Mirror) Shou Sugi Ban 1.1.3, 2022
Charred reclaimed redwood, silver nitrate
12 x 12 x 2 inches
Miya Ando
Shou Sugi Ban Pale Gold, 2019
Charred reclaimed redwood, silver nitrate, pigment
12 x 12 x 1.5 inches
Miya Ando
Kuu (Sky/Void/Mirror) Shou Sugi Ban 1.1.4, 2022
Charred reclaimed redwood, silver nitrate
12 x 12 x 2 inches
Miya Ando
Radiant of the Alpha Centaurids Meteor Shower February 2, 2020, 2020
Graphite, natural indigo dye, micronized pure silver, aluminum embedded paper
23.5 x 31 inches (unframed)
Miya Ando
Radiant of the Leonids Meteor Shower November 2, 2020, 2020
Graphite, natural indigo dye, micronized pure silver, aluminum embedded paper
23.5 x 31 inches (unframed)
Miya Ando
Radiant of the Lyrids Meteor Shower April 15, 2020, 2020
Graphite, natural indigo dye, micronized pure silver, aluminum embedded paper
23.5 x 31 inches (unframed)
Miya Ando
Radiant of the Perseids Meteor Shower June 17, 2020, 2020
Graphite, natural indigo dye, micronized pure silver, aluminum embedded paper
23.5 x 31 inches (unframed)
Miya Ando
Radiant of the Southern Delta Aquarids Meteor Shower July 21, 2020, 2020
Graphite, natural indigo dye, micronized pure silver, aluminum embedded paper
23.5 x 31 inches (unframed)
Miya Ando
Radiant of the Ursids Meteor Shower December 19, 2020, 2020
Graphite, natural indigo dye, micronized pure silver, aluminum embedded paper
23.5 x 31 inches (unframed)
Miya Ando
Radiant of the Eta Aquarids Meteor Shower April 17, 2020, 2020
Graphite, natural indigo dye, micronized pure silver, aluminum embedded paper
23.5 x 31 inches (unframed)
Miya Ando
Radiant of the Eta Lyrids Meteor Shower May 6, 2020, 2020
Graphite, natural indigo dye, micronized pure silver, aluminum embedded paper
23.5 x 31 inches (unframed)
Miya Ando
Radiant of the Geminids Meteor Shower December 4, 2020, 2020
Graphite, natural indigo dye, micronized pure silver, aluminum embedded paper
23.5 x 31 inches (unframed)
Miya Ando
Radiant of the Leonids Meteor Shower November 6, 2020, 2020
Graphite, natural indigo dye, micronized pure silver, aluminum embedded paper
23.5 x 31 inches (unframed)
Miya Ando
Radiant of the Lyrids Meteor Shower April 14, 2020, 2020
Graphite, natural indigo dye, micronized pure silver, aluminum embedded paper
23.5 x 31 inches (unframed)
Miya Ando
Radiant of the Northern Taurids Meteor Shower October 20, 2020, 2020
Graphite, natural indigo dye, micronized pure silver, aluminum embedded paper
23.5 x 31 inches (unframed)
Miya Ando
Radiant of the Orionoids Meteor Shower September 23, 2020, 2020
Graphite, natural indigo dye, micronized pure silver, aluminum embedded paper
23.5 x 31 inches (unframed)
Miya Ando
Radiant of the Ursids Meteor Shower December 17, 2020, 2020
Graphite, natural indigo dye, micronized pure silver, aluminum embedded paper
23.5 x 31 inches (unframed)