MARK PERLMAN, Fade, 2019
Encaustic on Panel, 60 x 48 Inches Framed
$9,000
Bay Area based Mark Perlman works in the medium of encaustic: pigment mixed with hot wax, the oldest form of painting in civilization dating back to Egyptian Old Kingdom tombs. The paintings are built up layer over layer to create what the artist calls the underbelly, a luminous field of mid-tone color upon which he composes and builds his imagery. Perlman’s deep fascination with processes of change effected by time and nature’s gradual breaking down of form has developed into a profound meditation on loss and dissolution, restoration and retrieval, and the interaction between mutability and permanence… More »
BRIAN RUTENBERG, Looming Pine 6, 2018
Oil on Paper, 30 x 22.5 Inches Framed
$8,000
New York based Brian Rutenberg’s painting presents the landscape in the same way he learned to see it, by lying on his belly with his chin in the dirt, foreground so close he can taste it and background far away. No middle ground. Seeing from a bug’s-eye view instantly compresses space, like closing an accordion, and makes the viewer complicit in reconstructing the landscape; Rutenberg provides the close-up and the far away, and the viewer supplies the middle… More »
AUDREY TULIMIERO WELCH, Holus Bolus (All at Once), 2018
Acrylic On Canvas, 42 x 48 Inches
$7,500
Audrey Tulimiero Welch’s abstracted layered paintings can be read as a metaphoric map that contains, in its embedded layers, personal stories and lived relationships of daily life. Holus Bolus has a unique genesis. In the fall of 2017, during an open studios event, Welch invited the public to collaborate with her on this painting. She selected three specific maps and had them available to transfer on the surface with a gel medium transfer technique. On the side of the painting, in pencil are written the names of her collaborators. The choice of maps coincided with two significant events, one personal and one global: she and her family had recently returned to the United States after living fifteen years abroad, and the Nigerian refugee crisis was in full swing. The maps selected included a topographical of her new hometown Tacoma, and the broad lines intersecting the picture plane in this painting was sourced from a map that traced the walking routes of Nigerian refugees traveling on foot from Niger to the Cameroon border… More »
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